Trailers: Ameera, The Raid 2, Brick Mansions

New trailer for the action movie "Ameera" (Colin Chow)

Ameera


The Raid 2

New trailer for the action movie "The Raid 2" (Iko Uwais)


Brick Mansions

New trailer for the action movie "Brick Mansions" (Paul Walker, David Belle)

Sources: IGN, Facebook, Yahoo

17 comments

    Author's gravatar

    Okay, not necessarily every second. But thank you.

    Author's gravatar

    Thank you. It will really be better!

    Ps Is there somewhere you can see a complete list of episodes where Jackie Chan is dubbed?

    - Green fir trees... there are plenty of them. What’s interesting is that sometimes the stuntman makes the swing, and Jackie does the kick. The editor was amused.
    There, in several frames (especially in the scene of bribing Jackie) during the battle with three opponents exchanging punches, you can see such a terrible face...sorry face.
    In the fight scene in the casino, almost all the acrobatics were performed by a stunt double, + many combinations, including a fragment on slot machines with Ken Law...
    If you really need to say so...in detail, then I will try to write it down to the second.

    Author's gravatar

    Ps Is there somewhere you can see a complete list of episodes where Jackie Chan is dubbed?

    We can say that Chan only plays close-ups. And some of the average ones.

    Author's gravatar

    But in LIGHTNING STRIKE this was most likely the task - to hide Jackie's understudies.

    Well, he was there with an injury, and he personally almost didn’t participate in the fighting game.

    Author's gravatar

    “Dmitry, can you at least cut off such parts from your monologues?”

    - Yes, easily.

    Thank you. It will really be better!

    Ps Is there somewhere you can see a complete list of episodes where Jackie Chan is dubbed?

    Author's gravatar

    Do not forget that in “Black Mask” Jet had doubles, and the editing and camera angles were designed to hide this.

    - Most likely, in MASK there was more of Tsui Hark’s style than a desire to hide understudies. The same Jet had a lot of them and more than once.
    But in LIGHTNING STRIKE this was most likely the task - to hide Jackie's understudies. Contrary to the style of Sammo and Chan, everything there skillfully runs in different directions. But with this, so to speak, feature, the understudies are visible even more clearly.

    Author's gravatar

    Don't forget that in "Black Mask" Jet had doubles, and the editing and camera angles were designed to hide this.

    Author's gravatar

    “Dmitry, can you at least cut off such parts from your monologues?”

    - Yes, easily.

    Ravenside:
    I agree with you. IN THE BLACK MASK "wheelhouse" + the camera sometimes "walks". And to the BIG jackpot too. But it looks smart and spectacular!!!

    Author's gravatar

    Someone will now say again that I have inflated self-esteem. But if this is the case in the frame... Where is the energy?
    And all because now there are no sick directors, cameramen and editors in fighting games. We can talk for a long time on this topic, but what’s the point? Nothing will change from this. You need to study what you live, and not just go, take a measure and remove it, and then somehow glue it together.
    What they say now is true - many have learned to cut, but not how to assemble.

    Dmitry, can you at least cut off such parts from your monologues?

    Author's gravatar

    The style is like this... and everyone is so “stylish”?)) It seems to me that one of the 20 operators has this style, and the rest simply don’t know how or are trying to copy this pseudo-stylish shake, believing that now they are in trend.
    This is not to say that ragged installation or shaking is always and everywhere bad. If it is thoughtfully and competently done and, most importantly, presented, then it looks very good. Example: yesterday I rewatched “Taken” with Neeson. Everything is on topic there.

    Author's gravatar

    "Probably the style."
    - Debatable. But perhaps you are right. Who knows what's on their minds.
    Although...

    RushHall:
    I won’t impose my opinion, but I will still say that this is a lack of professionalism.
    I rewatched HUNTING FOR PIRANHA the other day. In principle, a good film. Mashkov is in good shape (and when he is not in good shape...hmm...) Everything was filmed decently. But when the action starts, there are some close-ups, incomprehensible twitching and shaking from side to side. The action itself is good and the fights are watchable in essence, but it’s mine... how the cameraman killed everything. There was a great fight in the house on the lake and Mashkov did a lot of things. But his work was in vain. If the cameraman had filmed this cool, it would have been full of flavor!!!
    Is it really that difficult? But you just need to step back a little and the shot will be amazing. Fortunately, the panoramas there are very inviting!
    So most likely this is closer to unprofessionalism.
    I noticed this moment on the set of RAID 2. In a fight in prison. The guards run out, but they do not put any force into the prisoners. It was possible to at least win back. Are these the guards?
    Someone will now say again that I have inflated self-esteem. But if this is the case in the frame... Where is the energy?
    And all because now there are no sick directors, cameramen and editors in fighting games. We can talk for a long time on this topic, but what’s the point? Nothing will change from this. You need to study what you live, and not just go, take a measure and remove it, and then somehow glue it together.
    What they say now is true - many have learned to cut, but not how to assemble.

    Author's gravatar

    Comment text

    Try to storyboard the fragments and you will see how half a head, half a leg, etc. are cut off. It hurts my eyes a lot. + The background is terrible. It’s not clear what’s there + the light is generally disgusting, with the exception of the scene in the club. Everything is great there!
    Why can’t you take it and circle it or do it by driving over or by wiring.
    I once watched BANGKOK ADRENALINE, and some of the cart fights were filmed there. This is what I liked. I took it into service.
    Many people film someone running through the jungle, for example, and the camera shakes. On the one hand, it’s good, but on the other hand, why not film it on rails? The character would run headlong behind the camera and the picture would be clear and smooth + the dynamics would be amazing! And also this action would be closer to the CINEMA ARTS category. Do you agree?

    + the operator didn’t bother much. Still, no one does action better than Arthur Wong. Moreover, he is good both in Jackie and Sammo, and in THE BLAST, or ONCE UPON A TIME IN CHINA, as well as in HITMAN. The scene in the elevator shaft is something special in terms of camera work!
    Those who have seen will understand me!

    And all this twitching is simply unprofessionalism, passing from film to film.

    Probably the style.

    Author's gravatar

    Try to storyboard the fragments and you will see how half a head, half a leg, etc. are cut off. It hurts my eyes a lot. + The background is terrible. It’s not clear what’s there + the light is generally disgusting, with the exception of the scene in the club. Everything is great there!
    Why can’t you take it and circle it or do it by driving over or by wiring.
    I once watched BANGKOK ADRENALINE, and some of the cart fights were filmed there. This is what I liked. I took it into service.
    Many people film someone running through the jungle, for example, and the camera shakes. On the one hand, it’s good, but on the other hand, why not film it on rails? The character would run headlong behind the camera and the picture would be clear and smooth + the dynamics would be amazing! And also this action would be closer to the CINEMA ARTS category. Do you agree?

    + the operator didn’t bother much. Still, no one does action better than Arthur Wong. Moreover, he is good both in Jackie and Sammo, and in THE BLAST, or ONCE UPON A TIME IN CHINA, as well as in HITMAN. The scene in the elevator shaft is something special in terms of camera work!
    Those who have seen will understand me!

    And all this twitching is simply unprofessionalism, passing from film to film.

    Author's gravatar

    The operator is of course a complete g...!!!
    But I agree! The feeling from the trailer is very inspiring, so to speak! I noticed a few very interesting things. And no matter how much I swear about RAIDS, I’ll still definitely take a look!

    And what is wrong? The cameraman deliberately jerks the camera to charge it with even more action, but to the cameraman's credit, at least he doesn't do slow-mo

    Author's gravatar

    I liked this Raid trailer more than all the previous ones.

    The operator is of course a complete g...!!!
    But I agree! The feeling from the trailer is very inspiring, so to speak! I noticed a few very interesting things. And no matter how much I swear about RAIDS, I’ll still definitely take a look!

    Author's gravatar

    I liked this Raid trailer more than all the previous ones.

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